Dear Evan Hansen
“Visually Captivating”
La Traviata on Sydney Harbour
“… crisp choreography that is delightfully showy and yet perfectly supportive of the storytelling.”
Carmen on Cockatoo Island
“The dancing was edgy and exhilarating, owned the stage and the audience.”
A Little Night Music
“…another astounding triumph.”
Murder For Two
“The funniest show I can remember seeing on stage…ever…”
Ride The Cyclone
“Shannon Burns choreography is crisp and inventive”
The Seven Deadly Sins + Mahagonny Songspiel
“An extraordinarily ambitious production gives Weill and Brecht’s limited works their best imaginable presentation.”
Il Tabarro
“This was more than just an opera, it was an experience”
Melbourne, Cheremushki
“Stage placement of the singers was masterful…”
Dido and Aeneas
“Choreographed in style…”
Pleasures of Versailles
“Musical sophistication and refinement served up in a production of vivid colours, arch wit and wry absurdity.”
Giustino
“… but what made the theatrical side of this production really arresting was the work of movement designer Shannon Burns.”
Orontea
“… unrestrained and natural choreography …”
Platée
“… the fluid onstage movement of the singers matches their vocal agility.”
A Delicate Fire
“ … full of striking contemporary athleticism.”
Inferno
“…a thrilling musical adventure like no other.”
Pierrot Lunaire | Berlin Philharmonic
